frosts early poems :: essays research papers

To refer to a group of Frost's poems as "early" is perhaps problematic: One is tempted to think of the term as relative given that Frost's first book of poetry appeared when he was already 39. Moreover, Frost's pattern of withholding poems from publication for long periods of time makes dating his work difficult. Many of the poems of the first book, A Boy's Will, were, in fact, written long before--a few more than a decade earlier. Likewise, Frost's later books contain poems almost certainly written in the period discussed in this note. The "Early Poems" considered here are a selection of well known verses published in the eleven years (1913-1923) spanned by Frost's first four books: A Boy's Will, North of Boston, Mountain Interval, and New Hampshire. Frost famously likened the composition of free-verse poetry to playing tennis without a net: it might be fun, but it "ain't tennis." You will find only tennis in the poems that follow. And yet, even while Frost worked within form, he also worked the form itself, shaping it by his choice of language and his use of variation. He invented forms, too, when the poem required it. A theme in Frost's work is the need for some, but not total, freedom--for boundaries, too, can be liberating for the poet, and Frost perhaps knew this better than anyone: No American poet has wrought such memorable, personally identifiable, idiosyncratic poetry from such self-imposed, often traditional formulae. In these "early" years, Frost was concerned with perfecting what he termed "the sound of sense." This was "the abstract vitality of our speech...pure sound-- pure form": a rendering, in words, of raw sensory perception. The words, the form of the words, and the sounds they encode are as much the subject of the poem as the subject is. Frost once wrote in a letter that to be a poet, one must "learn to get cadences by skillfully breaking the sounds of sense with all their irregularity of accent across the regular beat of the metre." Thus, we read "Mowing" and simultaneously hear the swishing and whispering of the scythe; upon reading "Stopping by the Woods," one clearly hears the sweep of easy wind and downy flake; to read "Birches" is to vividly sense the breezy stir that cracks and crazes the trees' enamel. Most of the lyrics treated in this note are relatively short, but Frost also pioneered the long dramatic lyric (represented here by "Home Burial").

Islam and Confucianism

During the post-classical period, the Islamic and Confucianist â€Å"world religions?were based upon the principles of spiritual and intellectual growth. Both valued intelligence and knowledge, and strongly supported education, yet each religion viewed the world and its inhabitants from different vantage points. In Islam, life was a series of tests which determined a person†s stature in the afterlife. Though not especially rigorous, these â€Å"tests?focus people†s lifestyles on ways to better their eternal futures. Islam molded people into charitable, honest, and true Muslims who worked to spread their faith. Confucianism saw the world in a more immediate sense, and felt that it needed to be controlled by properly trained men. Confucianism pushed for social gain, personal happiness, and proper â€Å"gentlemanly?composure. An Islamic education was available to any good Muslim, rich and poor alike, although the wealthy were educated more often, due to fewer time constraints. It was a rarity to see a Muslim woman educated in the same manner as men, however, since Muslim society was strongly patriarchal, and â€Å"Men are the managers of the affairs of women? (p. 105, The Koran and Family). A Confucian education, in contrast, was quite esoteric. Those in the wealthy classes, primarily the aristocracy, were educated, and although it was possible for a lower class citizen to receive an education, it was a rarity, occurring only if said citizen was very wealthy. The Confucian focus on creating a classic â€Å"Gentleman?centered the education on men, and not women. â€Å"Confucianism was primarily an ethical system†¦Confucious largely recommended obedience and respect; people should know their place? (World History, p. 46). Confucianism strove to create an educated man: a ruler, not a peasant. It taught art and literature, nature and proper handling of women, and diplomacy. It stressed composure and proper social skills, with specifics on how to dress and how to act at public gatherings being of the utmost importance. Mannerisms were not the whole of the social education, however. Training the Aristocracy, Confucianism taught ruling, government, law, crime and punishment. A Confucian Gentleman knew how to act properly and rule accordingly in any situation that might present itself. Islam†s Five Pillars, â€Å"testifying that there is no deity save Allah and that Mohammed is his apostle, on performing prayer, on paying legal alms, on the pilgrimage to Mecca, and on the fast of Ramadà ¡n.?(document 18, p. 108) strongly focused the Islamic education on religion and philanthropy. An educated Muslim had intricate knowledge of Islam, the Hadith, and the Koran. Generosity was important in Islam, and a good Muslim gave Alms. Islam did not focus on making an Aristocrat, but rather a philanthropist who would spread the religion. Islam taught the knowledge of travel, trade and bartering as well. Muslim society, was advanced in these areas, and viewed merchants as very powerful and important men. Subsequently trade and bartering were highly valued skills which need to be learned. Scientific knowledge was also important. Muslim science was based on Greek and Hellenistic technology and philosophy, thus their scientific education focused on rationalistic generalizations, theories and hypotheses. Confucian teaching frowned upon trade and bartering, as Merchants were tolerated, but not respected by the upper classes. Confucian scientific teaching was directed towards specific developments and advancements, generalities were not as important. The Confucian lack of religious teaching was diametrically opposed to the Islamic education†s strong religious focus, and Confucianism taught artistic merit more where Islam taught more trade skills. Scientific advances were important to each. Specific social customs were taught by both, although Islam leaned towards helping the lower classes through charity, and Confucianism leaned towards helping the lower classes through proper rule. Obviously, a Confucian education and an Islamic education both focused on teaching men to better themselves, but their different approaches to the same matter yielded two strikingly different educated persons.

Intimate And Sensate Spaces Film Studies Essay

Do memorable experiences permeate architectural boundaries to give us a sense of belonging, and to what extent does the content of memory exist in familiarities of darkness, aroma and topographic point? As our lives become entwined with the physical occurrences in this universe we seek a sense of comfort in the topographic points we most closely associate with. Familiarities of darkness, aroma and topographic point along with their intangible properties stimulate our memories of past experiences and reaffirm our presence in this universe. In clip these topographic points become hoarded wealths of memories and weave through our reinforced environments structuring our journey and doing it meaningful.Introduction1 ) Historic illustrations of how Gothic Cathedrals and Egyptian temples became symbols of clip and experience. 2 ) Analyzing the decreasing animal familiarities and duologues between infinites and our lives and the transparence tendency in modern edifices today. 3 ) Phenomenology as looking at architecture through our ain witting experiences and the undertaking of Architecture to construction and happen our being in this universe 4 ) The purpose of this essay to research the content of what makes topographic points memorable by understanding the relationship between familiarities of darkness, aroma and topographic point.BodyA Intimate infinites and Geometry of Feeling in Phenomenology of Architecture Contemporary readings of brilliantly illuminated infinites and overexploitation of transparence in infinites decreasing our sense of intimate life. The human as a traveler, as a place inhabitant, as a melancholiac and how memories of topographic point infuse him with feelings of familiarity. B 1 ) Familiarity of Darkness Different personifications of darkness in literature, art The Significance of the Shadow How darkness constructions nostalgic images of the yesteryear. The nexus between darkness and memory Symbolic nature of Mental imagination of darkness The ability of darkness to rise the power of other senses. 2 ) Familiarity of Aroma Sense of odor and its ability to transport the individual to different kingdoms of clip Link between darkness and sense of odor Experiencing architecture through the sense of odor The connexion between memory and olfactory property 3 ) Familiarity of Topographic point The nexus between sense of odor and topographic point Sensate topographic points as powerful contents of memory Building and its intimate relation to its context Genius Loci and the phenomenon of topographic point Atmosphere and character of a topographic point 4 ) Design as an appropriate medium of look in being able to retrieve our past experiences and reaffirming our presence in this universe. 5 ) Using Design as a museum of clip, poignance and recollection in carry throughing our desires for intimate connexions and associations with this universe. 6 ) How we translate intimate spacial and centripetal experiences into the cloth of Architecture Tactile stuff looks Treatment of visible radiation and shadow Journey through infinites and altering spacial experiences Establishing a strong contextual relation between the edifice and its environment 7 ) Reviewing the practical possibilities through built illustrations and instance surveies of Architects like Peter Zumthor and Alvar Alto. DecisionIntroductionAs our lives become entwined with the physical occurrences in this universe we seek a sense of belonging in the topographic points we most closely associate with. ‘What is losing from our homes today are the possible minutess between organic structure, imaginativeness and environment ‘ Kent C Bloomer and Charles W Moore. ( as quoted in Pallasmaa 2005: P 41 ) How cognizant are we of the function of Architecture as a topographic point of memory in our lives? Architecture over coevalss has portrayed legion aspects of our physical being in this universe, be it emotion, faith, civilization or recollection. Our perceptual experiences of infinites are influenced by our figments of imaginativeness and recollections of past experiences, be it chapters of a novel, scenes of a movie, glances of a metropolis or narratives of loved 1s, all soaked with times of familiarity and nostalgia. Historic illustrations of such environments have borne testament to this though t in the signifier of Egyptian temples where we witness the silence of the dead and Gothic cathedrals where the eyes are drawn upwards along the arches to the mighty image of God as among the legion wonders of architectural experiences. However, modern infinites of today seem so subtle in their ability to travel us and raise within us wonders of clip and memory. Or is it this turning accent on transparence and openness in modern architecture that has led to decreasing sensitivenesss towards the perceptual experience of infinites as being an confidant and sensate representation of our lives. For the grade to which we observe elements of shadow and the feelings they construe in us, hints of odor and their ability to transport us to different kingdoms of clip and the ambiance of a topographic point, is deserving oppugning. The theory of Phenomenology explains the ethos of architecture as being tasked with non mere physical building of signifiers and maps but besides the manifestation of human experiences and emotions in the edifices we reside in. In kernel our intent as interior decorators is to carry through our interior desires of topographic points that comfort us and make an intimate bond between worlds and their reinforced environments. Contentment in design exists in the individual sing the architecture in all its kingdoms and our environments would be uncomplete representations of our lives if they are barren of memories and experiences. This essay aims to analyze the complex kingdom of familiarity in darkness, aroma and topographic point that have pervaded the really cloth of architecture in the yesteryear and go component and indispensible elements of memorable infinites, therefore taking me to oppugn whether memorable experiences permeate spacial boundaries to give us a sense of belonging, and if so so how do we animate such experiences in the context of modern spacial design.Intimate and Sensate SpacesIntimate infinites are a sense of realisation of the affectional, sensate and memorial features of a topographic point. They reach out and prosecute with our innermost desires of seeking comfort within a home. Architecture ‘s undertaking lies non merely in the physical manifestation of the edifice but besides in the intimate journey of the individual sing the architecture in all its signifiers. Intimate experiences habituate our being in this universe and embody deeper significances and apprehension of mundane life. As competently suggested by Pallasmaa, ‘It is clip that we considered whether signifiers or geometry in general can give rise to architectural feeling ‘ ( P410 ) As mentioned earlier the great wonders of architectural experiences such as Gothic cathedrals and Egyptian temples ne'er failed to travel us and shock us at their magnificence. We realize that they so played close attending to the significance of shadow and visible radiation which were important design elements in the experience they aimed to incarnate. So how so do we inculcate familiarities, enigmas, inquiries, nostalgia and melancholia in our modern twenty-four hours opposite numbers when they seem so vivacious, crystalline and unfastened in their visual aspect? As appropriately suggested by Luis Barragan ‘We have lost our sense of intimate life, and have become forced to populate public lives, basically off from place ‘ ( quoted in Pallasmaa 2005, P47 ) Ultimately the homes we reside in are meant to convey us closer to our reinforced environments, construction our being and non detach us and do us distant animals in the chase of void. Multisensory infinitesFamiliarity of DarknessDarkness more frequently seen as the absence of visible radiation has been associated with many different intensions that have played an influential function in the manner we perceive a dark infinite ; in short darkness has its ain narrative. Panic and offense scenes in literature, memories of the past captured in vintage frames, nostalgic lonely scenes described in poesy and more frequently than non an creative person ‘s picture expresses a deep apprehension of the contrast between dark and light. Further lucubrating on the personification of darkness in literature, a notable illustration would be the significance of darkness portrayed by Shakespeare in his tragic drama Macbeth which in many important scenes depicted the dark sky as a cloak of privacy that the supporter ‘s call upon when perfidy and slaying befall them. Another illustration would be from Junichiro Tanizaki ‘s in congratulations of shadows wherein he desc ribes the symbolic representation of a lacquer dish as being tantamount to savoring the darkness of the room. ( Pallasmaa, 2005 ) These illustrations are of import landmarks of mentions when we begin to chew over over the avenues that darkness as an component has opened up in our twenty-four hours to twenty-four hours lives and moreover introduced into it a personal spacial dimension. Example from the architectural uncanny. Our perceptual experience of darkness is affected by the mode in which the oculus observes analyses and visualizes the material objects around us. The oculus has the ability to divide what we want to see from what we prefer non to see, which is strongly manipulated by the strength of visible radiation in a infinite. The sense of vision determines our connexions with infinites, signifiers and stuffs likewise, and ignites our ideas, imaginativeness and emotions. Darkness so is no longer merely an ambiance of concept in the physical dimension of infinite but it starts to pervade and unify with the darkness of the head even. Therein develops a new continuum of perceived dark infinite, more merely understood as symbolic imagination of darkness, which exists in the boundaries of our phantasies, dreams and imaginativeness. The intimacy of these connexions is straight affected by the contrast of visible radiation and shadow in a infinite, as noted by Pallasmaa ( 2005, p46 ) ‘During ove rmastering emotional experiences, we tend to shut off the distancing sense of vision ; we close the eyes when dreaming, listening to music, or fondling our darling 1s ‘ He farther goes on to explicate the significance of shadows and darkness in chanting down the acuteness of vision and in bring oning our inner ideas and feelings that otherwise seem elusive and hibernating. ( Pallasmaa 2005 ) Obviously plenty, darkness structures our immediate sensate and intimate experiences of minutes gone by or enfold our head with new found associations of clip and infinite. We chose to either remain confined to the darkness of physical infinite or in bend explore the boundaries of fanciful dark infinites. Memories are the consequence of these geographic expeditions within our heads that take topographic point in the presence of elusive visible radiation and deep shadow infinites. Memories are like scenes in a drama or chapters of a book that journey from one facet to another making a assortment of experiences for the individual walking through the infinite. As claimed by Pallasmaa that streets of old towns and metropoliss with their dim lit scenes appear more challenging than modern overly lit streets and towns oftoday. ( Pallasmaa, 2005 ) It about seems as if darkness and shadow play an instrumental function in raising up images of past experiences and exciting our ideas. Reaffirmed herein by Pallasmaa once more when he explains ‘The human oculus is most absolutely tuned for dusk instead than bright daytime. Mist and twilight rouse the imaginativeness by doing ocular images ill-defined and equivocal ‘ ( 2005, P46 ) More frequently than non we enjoy and gaze with admiratio n at the simple admirations of the dark sky, be it a star lit sky, a cloudy sky, a full Moon dark. Memories resonate in these infinites, infinites that give us the chance to be a portion of the admirations of nature, or experience times that we long for. When we begin to understand these elaboratenesss in the look of visible radiation and shadow, or duologues between atmosphere and our organic structure we begin to oppugn the elaboratenesss and duologues between our yesteryear and nowadays and look frontward to determining of new memories in the hereafter. The functions of visible radiation and darkness are interestingly linked yet absolutely balanced and it is for those grounds that we begin to develop new found associations with infinite that in many ways seem intimate and fond to our being. Memorable topographic point experiences are profoundly infused with infinites we most closely associate with. Darkness and shadow in their ain manner create a sense of purdah and enigma that all right tune the character and ambiance of a topographic point to comfort our senses and comfort us in times of demand. Many a clip ideas in our head have a inclination to look in an equivocal and unorganised manner, likewise shadow excessively creates an atmosphere of obscureness and wonder that spurs our imaginativeness and memories. On the contrary, topographic points of bright visible radiation and utmost strength weaken our esthesis of topographic point and personal experience. ( Pallasmaa 2005 ) As farther critically explained by Pallasmaa that the be st manner of subjecting people to insanity is with the usage of utmost degrees of visible radiation strength which erases any hint of personal infinite and idea. ( Pallasmaa 2005 ) Darkness in its confidant and sensate characteristic goes a measure farther to convey to illume the other senses in our organic structure. Darkness subdues the ocular esthesis of the oculus, automatically exciting the power of other senses such as touch and odor. It is in the presence of deep shadow that we depend on the heightened power of our other senses to see and closely prosecute with a infinite.Familiarity of AromaAroma, besides termed as an olfactive sense though preponderantly a ignored facet in architecture, is in fact one of the strongest centripetal characteristics in our organic structures and the deepness of experience and experiencing it covers is although unseeable but enkindled clip and once more through built-in tactile and ocular qualities of a infinite. It is an indispensible constitutional component of spacial design, raising up ocular imagination and personal penetrations of memories and infinites, transporting us to different kingdoms of clip. More simplistical ly set frontward, scent engages dialogue with nature through air current, H2O, location, flora as portion of the external environment and duologue with infinite through furniture, stuffs, and ocular entreaty in the interior environment. We ever trace ourselves back to a topographic point in clip through our sense of odor be it elusive or overmastering. As notably marked by Barbara and Perliss that olfactory property constitutes a powerful content of memory, perforating our inner ideas and exciting our emotions. Furthermore they bring back and refresh forgotten or hibernating minutes and experiences from within us. ( Barbara and Perliss 2006 ) Even though aroma by itself is a powerful tool in the remembrance of memory, it best exists when supported by the other senses, working in tandem to make a multisensory experience.

Free Essays on Interview With A Manager

I interviewed Mark Frederick, a marketing manager at Onvia Inc. A company that helps businesses secures government contracts and government agencies find suppliers online. Mark attended the University of Washington where he earned a degree in History. Soon after graduating, he claimed an entry-level management position at Weyerhaeuser. He needed a job right away because his student loans were about to start collecting, so he took any job that would hire him. From then on forward, Mark realized that management is something he is good at and could do for the rest of his career life. While being a manager was great, there were problems that arose. First, being at such a young age and being a manager was tough when you had 35-45 year olds to manage. He was always looked at as someone with no experience. This major challenge made him resign from his 2-year position and look for another job. It did not take him long to find one. He became a manager for DialAmerica Marketing. A call center for credit card companies. Nevertheless, this situation lasted Mark 3 years, the company closed it offices here in Seattle. When things turned for the worst, Mark was always able to pick up and start all over with no trouble. This is where he is today, at Onvia Inc. He is a senior manager for the marketing and sales department. His major responsibilities that he is accountable are: Managing the daily operations of which include the development and overall performance of a staff of 46 sales associates and 4 Team Leaders. He interviews, hires, coaches, evaluates and develops his sales staff. In addition, he presents marketing and sales training classes for both sales staff and all levels of middle and upper management. However, like all other jobs, there are obstacles and problems that Mark is faced with working at Onvia. He mentioned to me that the company is a start-up and a lot of competition within the company. Many of the employees are newly graduate... Free Essays on Interview With A Manager Free Essays on Interview With A Manager I interviewed Mark Frederick, a marketing manager at Onvia Inc. A company that helps businesses secures government contracts and government agencies find suppliers online. Mark attended the University of Washington where he earned a degree in History. Soon after graduating, he claimed an entry-level management position at Weyerhaeuser. He needed a job right away because his student loans were about to start collecting, so he took any job that would hire him. From then on forward, Mark realized that management is something he is good at and could do for the rest of his career life. While being a manager was great, there were problems that arose. First, being at such a young age and being a manager was tough when you had 35-45 year olds to manage. He was always looked at as someone with no experience. This major challenge made him resign from his 2-year position and look for another job. It did not take him long to find one. He became a manager for DialAmerica Marketing. A call center for credit card companies. Nevertheless, this situation lasted Mark 3 years, the company closed it offices here in Seattle. When things turned for the worst, Mark was always able to pick up and start all over with no trouble. This is where he is today, at Onvia Inc. He is a senior manager for the marketing and sales department. His major responsibilities that he is accountable are: Managing the daily operations of which include the development and overall performance of a staff of 46 sales associates and 4 Team Leaders. He interviews, hires, coaches, evaluates and develops his sales staff. In addition, he presents marketing and sales training classes for both sales staff and all levels of middle and upper management. However, like all other jobs, there are obstacles and problems that Mark is faced with working at Onvia. He mentioned to me that the company is a start-up and a lot of competition within the company. Many of the employees are newly graduate...

How to Get a Birthday Cake Delivered to a College Dorm

How to Get a Birthday Cake Delivered to a College Dorm Whether youre a parent or a friend, sending a birthday cake to a students dorm room can be one of the most thoughtful things you can do during those stressful college years. Parents worry about their kids while theyre away, and friends want to celebrate in style with fun surprises. Whether youre long distance or just want to make your kid or friend smile, sending a little celebratory gift can make all the difference. Delivering Birthday Cakes to Dorms The first thing you want to do is see if the college you want to send a cake to offers special orders for birthday treats through their dining halls or student life services. This would be a fast solution, so scouting out the possibilities is key. Simply inquire when you visit the campus during orientation or give them a quick call. At the University of Delaware, for instance, you can send a YoUDee Gram –a 10 to 15-minute visit by the school mascot, who is a giant blue chicken that arrives at the students dorm with balloons, an autographed photo, and more than a little comic pizazz. Parents and friends can also call the University of Delawares dining hall to order a personalized birthday cake for dorm delivery or pick up. In fact, other colleges like Stanfords parent association  deliver birthday cakes, balloons, and flowers, as a fundraiser for the college endowment fund. Bakery Deliveries Some college town bakeries deliver on campus. However, if you cant find a local patisserie, there are plenty of bakers who will ship their wares overnight or via two-day mail. Simply check in with the campus mail room to see if any restrictions apply. Some accept FedEx or UPS overnight, while others prefer US postal service deliveries. Get creative with all the fun possibilities for your cake send by drawing inspiration from other colleges: Arizona’s Fairytale Brownies  mails a birthday box with brownies, a teddy bear, a kazoo, and a pin-the-tail-on-the-donkey game for around $50.The Delaware-based SAS Cupcakes ships assorted vanilla, triple chocolate, and red velvet cupcakes decorated for birthdays or Greek life events, accompanied by little flags with your child or friends Greek letters. Delivered by the dozen, this delivery costs around $45. A Homemade Birthday Box Forget all the headaches and assemble your own birthday-in-a-box. Frosted cakes dont do well in the mail, so you can bake a cake. The moister the cake, the better. Consider flavors like  pumpkin, carrot, or banana. Once youve baked your cake, youll want to make sure its wrapped before you ship it off. Include little additions to your care package, like a simple can of supermarket frosting, a box of candles, and a birthday tiara. Alternatively, you can bake up a batch of chocolate cookies that are  decorated to look like cupcakes, and ship them off. For something extra, add a birthday card or a small gift.

M2 Disease Frequency Paper Assignment Example | Topics and Well Written Essays - 1250 words

M2 Disease Frequency Paper - Assignment Example For example, the incidence of dental caries in the U.S. during the second half of the 20th century was significantly less than the incidence of dental caries in the first half of the 20th century. This can be attributed to the fact that public health authorities began fluoridating community drinking water in the middle of the 20th century (Centers for Disease Control and Prevention [CDC], 2001). 2. Prevalence: It measures the occurrence of existing cases of a disease in a population for a specific period of time (Aschengrau & Seage, 2003). For example, researchers in India have found that the prevalence of oral cancer (especially squamous cell carcinoma) is extremely high among the poor (Yada, 2008). In fact, the prevalence of tobacco consumption increased up to the age of fifty years after which it leveled or declined (Yada, 2008). 3. Cause-specific mortality rate: It measures the number of deaths from a specific cause per 100,000 people per year (Aschengrau & Seage, 2003). Tobacco use can cause premature death from lung and other cancers, coronary heart disease, stroke and chronic respiratory diseases. In this context, smoking-attributable mortality rate (SAM) can be defined as the number of smoking related deaths per 100,000 people per year. For example, a recent study in Minnesota has revealed that the smoking attributable mortality rate in the state for adults aged 35 years and above is 215.1/100,000 people (CDC, 2011a). 4. Years of potential life lost: It refers to the estimated number of years that an individual would have lived if he or she had not died (Aschengrau & Seage, 2003). Cigarette smoking has been found to be responsible for one in every five deaths which is approximately 438,000 deaths each year (CDC, 2008). Therefore, cigarette smoking results in 5.5 million years of potential life list in the United States each year (CDC, 2008). 5. Case fatality rate: It is the number of deaths due to a specific disease as compared to the total number of

Visual Effects Assignment Example | Topics and Well Written Essays - 250 words

Visual Effects - Assignment Example The principles of the visualization illustrate content focus. The visualization concentrates on illustrating how HAI is contracted. Data visualization 02 is studied through the common dash board mistakes of Stephen Few. The data arrangement is poor (Edward 93). This is because four bar graphs and one pie chart are squeezed in one slide page. This minimizes visual clarity. There is also poorly highlighting of the most important information. This is because a lot of information is illustrated in a single page, leading to confusion. Data visualization 03 is analyzed through the excel dashboards. Excel enables effective illustrating of statistical data through graphs, tables and charts (Edward 36). The top hashtags and top mentions are summarized accordingly through the bar graphs. However, illustrating a lot of visual information in one page is not desirable, as it may confuse the audience. The dog images are illustrated through the analytical designs principles. The two dog images illustrate a dog in a jumping motion. The first image illustrates the dog jumping into a water body. The second image shows the impact that the do has on the water surface due to the jumping